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Project
Rationale:
Eugenics is a major
part of our history, but no one knows about it. Even the highly educated
people with whom I have discussed this project have needed a eugenics
primer. This is distressing, due to the severity of the impacts
of Eugenics on all people that linger today and the vast potential we
have with modern technology to do it all over again. Many books have
been written about eugenics, but still there is no discussion. Therefore,
I decided to launch a CD entirely based on Eugenics. One that hopefully
would foment discussion and also have some enjoyable and compelling
music. In the 1980s this would be called a "win-win". In the
1990s it would be called a "value proposition." In the 1970s
it would be called "far out."
Project
Overview:
The project has
several elements. First, all the text used in the CD is taken from eugenics
texts from the 1850s to the 1930s. They are surprisingly easy to come
by.
Second, the CD is
entirely based in a program called Audio Mulch. This is a nearly
evolutionary music making program that allows one to grab pieces of
music and various gizmos to alter those pieces and combine them in sometimes
pleasing and sometimes ugly ways. The interface for this program is
designed to be functional, but not to be pretty. Using the program allows
one to slowly build a musical system that, I felt, was analagous to
evolution. Controlled evolution = eugenics.
Third, the CD uses
the combined talents of many artists from MP3.com. Not only do these
musicians and vocalists create amazing sounds for me to work with, but
they are part of MP3.com - a phenomenon inside a phenomenon. The Internet
age has created an environment in which literally hundreds of thousands
of artists from around the world have flocked. This has allowed them
to work together and create amazing new things that never would
have happened otherwise.
The eugenists would
say that they are mixing their germ plasm. Which makes MP3.com a melting
pot of sorts - or a caulderon. Like the RIAA, this cross polination
was something the eugenicists feared.
The CD will cover
several key aspects of Eugenics in the music, but will also have little
histories of Eugenics and other commentary on the CD-Rom portion of
the CD. It will be a multi-media experience.
Participating
Artists
Thus far, I have
been lucky enough to work with the following fine artists:
Mike
Fijal -- Excellent
Trumpet Player from Calgary Alberta
Rob
Prince -- An
academic from Denver who supplied much needed Eugenics materials
Muckworm
-- A very
pleasing speedmetal band from Phoenix, Arizona
Christopher
Zorn -- A
very reliable electronic musician and other things in Atlanta, Georgia
Digital
Cutup Lounge -- Hong
Kong's first family of digital mayhem
Plastic
LSD -- Premier
New York techno giant
Will
Black -- Who gave me a book.
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